Tag Archives: fortune telling

A 2020 election reading

This is a reading I did on facebook recently, on the fly. I will quote it here as is, neither adding to it nor editing:

“September 16 at 1:42 AM

It’s early yet, but I’ve done early pulls on elections before and they’ve worked. All of my election pulls have been correct except 2016, and the fault in that one was the way I worded the question – Hillary DID win the popular vote, and that’s what the cards reflected.

Even as sick as everybody is of Trump, the GOP is encouraging more Russian interference. And a lot of the Berners are being pissy and threatening to once again sit this one out, or worse yet, vote Trump if Sanders doesn’t get the nomination. So I threw some cards to see what the actual results/aftermath of the next election will be, and ugh, there’s some nasty ones here.

Boundaries of the spread are Tree + Mice, failing health (hmmmm….) and Stork + Birds. Stressful change, but maybe an older couple moves? Let’s look at the inner diamond and see what will happen.

Snake + Anchor + Clouds + Man + Coffin. It’s too early to say who the Snake is. (Warren? I’d be OK with Warren.) Whoever she is, she’s not going away. (Anchor). Trouble (Clouds, and if you use the dark side, it’s definitely facing the Man) for Trump, and there’s the good old Coffin, the end, finis.

So even if they rig this one, we won’t be getting 8 years of this shit. It won’t be a pleasant time (all those nasty cards) but one way or another, he’s out. Maybe he’ll literally croak. You’re all invited for cocktails at my house if that happens.”

What’s interesting is that I got comments from other readers who are getting essentially the same thing – nasty cards around Trump, and a woman who contributes to taking him out. None of us know for sure who she is yet, but she’s apparently very real.

I could parse this further, but I think I’ll just let the reading stand as is and see “which way the cat jumps”.

Until then, I leave you with this song:

“Hey now, hey now
Don’t dream it’s over
Hey now, hey now
When the world comes in
They come, they come
To build a wall between us
We know they won’t win…”

What are you guys getting? Leave me a comment!

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I hate oracle decks (but not the Literary Witches)

It was the face on the box that caught my eye as I was browsing. I thought it was Charlotte Brontë. And there were wolves and hands and trailing vines…I had to find out what this was.

As it turns out, it’s not Charlotte. It’s Emily, the Wuthering Heights sister. The book that spawned multiple film adaptations and that Kate Bush song.

Any one of the Brontës would be a clear indication that this deck is not here to lead you down the primrose path with affirmations and assurances that Your Angels Love You and everything will be All Better. It promises to SAY what’s wrong, and if it delivers good news, well, you can bank on it.
The same could be said of Toni Morrison. Or…

Virginia Woolf. Agatha Christie. Sylvia Plath. Emily Dickenson. Sappho. Anaïs Nin. Flannery O’Connor. Mary Shelley. People I’ve read, people I need to read. The collection is by no means complete, but it’s a pretty damn good sampling of female authors.

There is another set of cards in the deck, “The Witches’ Materials” Little everyday things to drive the plot along, so to speak:

It’s a substantial deck with some size and weight, and it’s linen. The box is sturdy. All in all, above average quality.

by Katy Horan and Taisia Kitaiskaia. And there’s a book. You don’t need the book to read the cards, but it looks like a good book.

Le Tarot Astrologique

Imagine, if you will, a deck published by Grimaud sometime between the late 1800’s and 1917 or so, very roughly coinciding with the Belle Époque. Imagine the strange old art, the fantastic vibe.
Now imagine it’s not yet another Tarot, but an astrology deck. Yes, there are “Majors”: the planets, ascendant, nodes (split into ascendant and descendant) and Part of Fortune. The “Minors” are three cards for each sign – one for each decan.

And it’s an easily readable deck. I’m decidedly not an astrologer (and if I were to deep dive into that particular field, I’d do classical, not modern) but it doesn’t matter. I can approach this as a cartomancer with my smattering of astrological knowledge, and get a clear reading out of it.

The LWB is printed on extra cards, and it’s useful (in spite of such curiousities as “Synthetically, here is the meaning…”, lol.)

It’s an easy deck, but it’s so NOT new age, so NOT “What’s your sign, baby?” (EW.) It predates all that. It’s more elephant-at-the-Moulin-Rouge. A Having Fun In Paris kind of deck.

There are several spreads included in the instructions, but you’re really only limited by your imagination here. There cards can supplement any other system, or stand on their own.

And now, if you’ll excuse me, I’m going to play around with these some more. 😀

Le Tarot Astrologique is available here https://thecartomancer.bigcartel.com/product/le-tarot-astrologique-c-1927-astrology-tarot

“About astrology and palmistry: they are good because they make people vivid and full of possibilities. They are communism at its best. Everybody has a birthday and almost everybody has a palm.”
—Kurt Vonnegut

VAMP: the Theda Bara Tarot from Jook Art

Sample of the Majors and the card backs. The sepia tone on some of the card faces is from a lamp, and is not actually present on the cards themselves.

Haven’t we all been intrigued by Theda Bara since we were kids? I remember the first time I stumbled across a photo from Cleopatra – I think it was in Encyclopedia Britannica – the intense, heavily made-up eyes, the snake bra…this was not the wholesome, cute, boring little thing that we were expected to like and try to emulate, no Gidget or That Girl. THIS Cleopatra made Liz Taylor’s look boring! Theda was a different kind of icon, the likes of which my eight year old self had never encountered before.

In real life, she was different: a hardworking girl who never actually drained a man of his resources and vitality, or lured him to his doom. But she had people believing in the persona:

“…her popularity was unstoppable. In 1915 alone, she starred in eleven pictures. Labeled “Hell’s Handmaiden,” she received two hundred letters a day, including over a thousand marriage proposals. Adoring fans named their babies after her. Her movies ran continuously, sometimes playing six times a day.

“Some fans failed to distinguish Bara from her fictionalized roles. One bitter moviegoer wrote, “It is such women as you who break up happy homes.” Bara replied, “I am working for my living, dear friend, and if I were the kind of woman you seem to think I am, I wouldn’t have to.” Another, a criminal defendant, claimed that he killed his mother-in-law after viewing one of Bara’s films.

Bara defended her role: “The vampire that I play is the vengeance of my sex upon its exploiters. You see, I have the face of a vampire, but the heart of a feministe.” But she also worried about the image she perpetuated: “I try to show the world how attractive sin may be, how very beautiful, so that one must be always on the lookout and know evil even in disguise.” Besides, she added, “Whenever I try to be a nice, good little thing, you all stay away from my pictures.”
– Source: https://jwa.org/encyclopedia/article/bara-theda

And another article, with some outstanding photos: Cinema’s First Sex Symbol was also America’s First Goth

I have only seen her early film, A Fool There Was, and her comeback attempt, The Unchastened Woman. In the former, she’s predatory, rapacious, and unencumbered by ethics. In the latter, she’s a wronged wife and her vamping is justified. Both films could use some TLC and restoration. Almost nothing survives. I’m not sure that there is anyone left in this world who remembers seeing the others. We have little but her first starring role, tiny fragments of film, and the still photos. We don’t get to see her develop as an actress. We don’t have her Cleopatra. We will never get to see her read the cards in Carmen:

But somehow, she is still having an impact. The Vamp type is alive and well, still luring men to their doom in contemporary media. People still emulate her look, or emulate someone while unaware that the person whose look they copied was emulating Theda.

So when it was announced that there would be an entire Tarot with Theda on every card, I had to check it out. Warily, at first, since so many theme Tarots go horribly wrong.

I need not have worried. This description at the website drew me in – I HAD to have this deck.

“For the major arcana, the text is taken from ‘The Symbolism of the Tarot’ by PD Ouspensky published in 1913. This book consists of pen pictures describing a journey through the 22 cards of the majors.

“For the VAMP majors, snippets of this text can be seen intertwined with the image so that only certain words can be seen, and I have found that depending on the question, different words make themselves apparent to me.

“For the minor arcana, the text is taken from the 15th century tarot poetry of Count Matteo Boiardo. He proposed a 78 card tarot deck with the minors being split into suits based on the Four Passions of Fear, Jealousy, Hope and Love. The VAMP tarot deck uses these minors which are well suited to the themes of Theda’s films dealing with such passions and emotions.

“Boiardo wrote a three-line poem for each card, and these are shown in their entirety on each minor card in the deck.”

– from http://jooktarot.com/theda-bara-tarot

I’m normally not a fan of renamed suits, but these are so flawlessly done. I ABSOLUTELY make an exception for this deck! And the text – these are not bland little affirmations and useless new age promises of getting things just by thinking happy thoughts. This is a roadmap for life. Some examples:

The Four of Fear:
“Fear keeps four horses at the service of a chariot
Under a cane, tied to a yoke
It also keeps many in servitude, whom I do not excuse.”

The Three of Love:
“Love, the end and final goal of your earnings
Is a continuous sighing until you die;
And he who laughs one day, cries thereafter for a year.”

The Four of Jealousy:
“Jealousy, when it comes,
it is better not to think that you can fight it,
Because it wins everyone:
But it is good to be able to tolerate it.”

The Four of Hope:
“Hope, when it comes together with reason
Is the sweetest food for the heart that wears it;
If it comes another way, it brings more suffering.”

A sample of the Minors from each suit.

One would expect a theme deck about an actress to be shallow and kind of dumb. That is emphatically NOT the case here. This deck is deep. There are references to mythology – it would be fascinating to read alongside the Grand Jeu AstroMythological Lenormand (it’s one of those rare decks that could definitely hold its own with that one.) Or just by itself.

The calligraphy and photos are exquisite. You get a unique hand crafted box and accordion-style booklet. The card backs are in the style of the early 20th century Art Deco Egyptian Revival that was so popular in Theda’s time.

I can’t find a single thing to criticize about this deck. I can’t put it away. I may have to get a backup copy.

And I am on tenterhooks waiting for their wet plate collodion process deck! http://jooktarot.com/wet-plate-process

Jook Art is a father – daughter collaboration, Steve and Katherine, and they are superbly good. You can get a copy of the Vamp Tarot here: https://www.etsy.com/listing/694810115/vamp-the-theda-bara-tarot-self-published?ref=shop_home_active_1&crt=1

Box, deck, and extras – all the loot.

You can watch or download A Fool There Was here https://archive.org/details/A_Fool_There_Was

Or just watch right here. 😉

And The Unchastened Woman

Finding a Lost Object with Lenormand

I misplaced a pocket knife the other day.

It’s just a little toothpick-style Buck, it’s inexpensive, and I have others. But it’s the kind of thing I use for a lot of little jobs, and I miss it again and again when I don’t have it.

It had to be in the house somewhere. I searched the room where I last used it (the kitchen, where I’d opened something with it), and the little box in my bedroom where I keep it handy, along with a couple of heavy-use decks and a bit of jewelry. Nothing.

So I pulled the three cards shown above, asking “Where is my Buck toothpick knife?” I didn’t preselect any cards (though I suppose you could do a Lost Man using the Scythe for a pocket knife), I just wanted something small and clear. The key to using the cards to find a location in your house is simplifying everything: keep the spread small and uncomplicated, and remember that the interpretation is often literal, or almost literal. It’s so simple, it can be tricky. I’ve seen that time and time again.

The simplicity of this type of reading is my reason for posting it. People post these lost object readings all the time, but I really wanted to underline how they need to be pared down to a very basic interpretation. It’s not like reading on most other subjects. It’s more like the cards are trying to show you a little snapshot of the location.

My first thought was the kitchen. Clover could be the little african violets on the windowsill, and Bear sometimes relates to food – but it tends to be absorption rather than cooking, and besides, I’d already searched the kitchen. So I turned my full attention to the center card, the Bear.

The only literal bear thing here is a teddy bear that my grandson left. It’s on a high shelf where my dog can’t reach it, awaiting his return. The shelf is in a room I use for storage. I installed a closet pole under it, and I have some dresses hanging there.

Then I remembered: I wore a flannel dress for a short trip to the store the other day. I changed into an older dress when I got home, since I had housework to do. The flannel was still clean – I only had it on for about 30 minutes – so I hung it back up.

The flannel dress was hanging almost directly below the teddy (Bear). It was in between a red dress (Heart) and a green dress (Clover). And the knife was in the pocket.

A flowing narrative about a brief romantic encounter with a burly man (or minor luck for your beloved mother, if you read the Bear as female), or a love of high finance and a little luck playing the market, or whatever, is appropriate in certain contexts. But forget all that when you can’t find something. Sometimes a heart is just red, clover is just green, and a bear is just a bear.

Lenormand Has Served Me Well (& two new decks)

Hello all – I’m here to discuss cartomantic simplicity. It may be seeing a minor renaissance.
Caitlin Matthews has a new book , Untold Tarot: The Lost Art of Reading Ancient Tarots, and Toni Puhle’s review of it really drives the point home.

Some of us are “system readers”, meaning we have meanings for each card and rules for when the cards fall in certain positions. This has always been called “traditional” reading, which has spawned many, many internet fights with people who try to say that tradition is frozen in time and outdated (it isn’t). But in any case, “system reader” is a good descriptor and I give props to Toni for it.

Even the Crowley Thoth can be read in that manner. After all, you have to remember the paths, elemental dignities, etc. (Which I am no wiz at, as my memory appears to be stuffed already. But I can see the beauty and incisiveness of the Thoth – as a system reader.

There is much discussion, nit picking, and hair splitting on internet forums, facebook, etc. over details in the Tarot – is the man walking away on the RWS Six of Cups leaving the past behind? Etc. It all seems irrelevant to me. Waite’s PKT gives a nostalgic interpretation. Crowley (who spilled the s00per seKrit Golden Dawn meanings, lol) simply calls it “Pleasure”. Who actually gives a f*** about that guy walking away?

That brings us to – well, everything else.

,

What is happening here? Do we need all manner of esoteric noise?

No. There is a brunette woman (me) who is catching flack from coworkers, but she’s staying on top of it.

Cards are actually very simple. Don’t overthink them. 😉

Petit Oracle des Dames bridge sized edition available here The Cartomancer

Another deck I want to mention is Patrick Valenza’s Oracle of Black Enchantment, the latest installment in the Mildred Payne cycle.

Like all of Valenza’s decks, it reads flawlessly right out of the box – eloquent, is this not?

(Look at that mess. I do need to mind my P’s and Q’s, lol)

The crazy thing is that Valenza has stated that he doesn’t read. But all of his decks have that precision, like they were designed by a constant reader.

The OBE is available here Deviant Moon Inc.

Anyway, my card reading philosophy is rooted in Lenormand and Kipper. (A man is a man, unless context absolutely doesn’t allow. He’s not “qualities you should take on”, or “advice”, he’s a person. Yes, I started with Tarot, but it took Lenormand and Kippers to show me what cartomantic precision actually is! I don’t fault Tarot itself, I fault modern reading styles.) Approach things that way, and the answers are right in front of you. *wink*

Cards are the human condition and should not be “updated”

We were having an interesting discussion over at the Cartomancy Forum and I thought I’d post it here. Longish, meandering version: Donna Maritata

Short version: somebody wrote a bogus book (that will sell nonetheless, because there’s next to nothing in english) that “updated” the Sibilla’s Donna Maritata (Married Woman) to “Independent Career Women”.

And THAT, friends, totally loses the card essence.

She’s a person card, and she’s married or in a committed relationship (with a human, not a business), Giovine Fanciulla is young, Nemica is malicious, and so forth. Very simple. Cards that depict various livelihoods might describe her, but they could just as easily describe any of the other people cards.

Anyway, if you made her “independent”, you’d need another card for a stay at home mom, one for a woman drawing unemployment, one for a woman collecting disability, etc. And you’d have to do that with all the other people cards. Giovine Fanciulla as a working girl, a trust fund kid, a young kept mistress, etc. The damn deck would be a couple of feet thick. Just learn to read combinations. FFS.

Anyway, people go to jobs to get money. If a better job comes along, they leave and go to that one. We don’t give a shit about The Company – why should we? They don’t give a shit about us. Fuck them. We work because we don’t have a choice, other than homelessness.

And when we get home, we still have as much housework staring us in the face as a postwar housewife. We just don’t have the time or energy to do it as well as Mom did. (My generation’s moms used to iron sheets. SHEETS. I barely get to iron anything.)

I would certainly hope that everyone cares about their family much more than they care about some sociopathic corporation with no ethics, that just wants to work them down to a crippled up pile of nothing and throw them away like garbage.

Trust old Stella – it’s better to be nice to your kids than your supervisor. And never, ever assume that the Important Things have evaporated just because we’ve been forced into the workplace!